| ID |
Interpret/in |
Ps |
Begleitung |
Musiktitel |
Stil |
Num |
Jahr |
Zeit |
Charteinstieg |
Label |
LbK |
2. Label |
LbK2 |
Art.-Nr./EAN |
EAN/Art.-Nr. |
Aufnahmeort |
Aufn.-Dat. |
Vö.-Dat. |
Matrize |
Verweis |
Werk-Nr. |
CAE/IPI |
Komponist |
Texter |
Bemerkung |
Qu. |
Seite |
Musik-Quelle |
Original / Cover |
|---|
| 58257 | Supervia, Conchita | | | 'E' l'amore | V | | 1927 | | 0000-00-00 | Odeon 168.102 | Od_168 | 184207, 185001, 188673, 195006, M 6034, O-4786 | | | | Mailand | 03.10.1927 | | WPho 6053 | | | | Bizet, Georges | Halévy, Ludovic | Aus „Carmen“. | Odeon | | | |
| 100 | Supervia, Conchita | | | A Lesson With The Fan | V | | 1932 | | 0000-00-00 | Parlophone RO 20186 | Pa_R20 | | | | | London | 17.03.1932 | | Lo 3008 | | | | d'Hardelot, Guy | d'Hardelot, Guy | | Odeon | | | |
| 9903 | Supervia, Conchita | | | Adieux de l'hôtesse arabe | V | | 1930 | | 0000-00-00 | Odeon 121160 | Od_121 | | | | | Barcelona | 05.03.1930 | | xxS 6047 | | | | Bizet, Georges | Hugo, Victor | Ms | Odeon | | | |
| 9938 | Supervia, Conchita | | | Adiós a Marquiña-Romanza gallega (Chané) | V | | 1928 | | 0000-00-00 | Odeon 122007 | Od_122 | 121152 | | | | Barcelona | 15.04.1928 | | xxS 4906 | | | | | | Ms | Odeon | | | |
| 164 | Supervia, Conchita | | | Amici In Ogni Evento-'italiana In Algeria', Act 2 (part 1) | V | A | 0000 | | 0000-00-00 | Parlophone RO 20274 | Pa_R20 | | | | | | | | | | | | Rossini, Gioacchino | | | 78 | | | |
| 10 | Supervia, Conchita | | | Amici In Ogni Evento-'italiana In Algeria', Act 2 (part 2) | V | B | 0000 | | 0000-00-00 | Parlophone RO 20274 | Pa_R20 | | | | | | | | | | | | Rossini, Gioacchino | | | 78 | | | |
| 229828 | Supervia, Conchita | | | Amici, in ogni evento <1> | V | | 1927 | | 0000-00-00 | Odeon 168.167 | Od_168 | 184209, 185004, 6047 M, Parlo RO 20274 | | | | Barcelona | 15.10.1927 | | So 4614 | | | | Gioacchino Rossini-Angelo Anelli | | L' ITALIANA IN ALGERI: | Odeon | | | |
| 229829 | Supervia, Conchita | | | Amici, in ogni evento <1> | V | | 1927 | | 0000-00-00 | Odeon 168.167 | Od_168 | 184209, 185004, 6047 M, Parlo RO 20274 | | | | Barcelona | 15.10.1927 | | So 4613 | | | | Gioacchino Rossini-Angelo Anelli | | L' ITALIANA IN ALGERI: | Odeon | | | |
| 13 | Supervia, Conchita | | | Amor Y Odio-El Tra-la-la Y E Punteado | V | | 1936 | | 0000-00-00 | Parlophone RO 20325 | Pa_R20 | | | | | | | | | | | | Granados "tonadillas" | | | 78 | | | |
| 22 | Supervia, Conchita | | | Andaluza-Dance No.5 | V | | 0000 | | 0000-00-00 | Parlophone R 20130 | Pa_R20 | | | | | | | | | | | | Granados/Munoz Lorente | | | 78 | | | |
| 43 | Supervia, Conchita | | | Aria and Rondo Finale-'La Cenerentola' (Part 1) | V | A | 0000 | | 0000-00-00 | Parlophone R 20140 | Pa_R20 | | | | | | | | | | | | Rossini, Gioacchino | | | 78 | | | |
| 45 | Supervia, Conchita | | | Aria And Rondo Finale-'la Cenerentola' (part 2) | V | B | 0000 | | 0000-00-00 | Parlophone R 20140 | Pa_R20 | | | | | | | | | | | | Rossini, Gioacchino | | | 78 | | | |
| 52 | Supervia, Conchita | | | Asturiana | V | | 0000 | | 0000-00-00 | Parlophone RO 20118 | Pa_R20 | | | | | | | | | | | | Falla, Manuel de | | | 78 | | | |
| 28013 | Supervia, Conchita | | | Ave Maria | V | | 3.06 | | 0000-00-00 | Odeon | | | | | | Barcelona | 1930.03.06 | | So 6050 | | | | Bach, Johann Sebastian | Gounod, Charles F. | Ms | Odeon | | | |
| 28014 | Supervia, Conchita | | | Ave Maria | V | | 1931 | | 0000-00-00 | Odeon | | PO 51 | | | | Paris | 25.04.1931 | | Ki 4400 | | | | Bach, Johann Sebastian | Gounod, Charles F. | Ms | Odeon | | | |
| 83 | Supervia, Conchita | | | Ay! Ay! Ay! | V | | 0000 | | 0000-00-00 | Parlophone RO 20165 | Pa_R20 | | | | | | | | | | | | Freire, Osmán Pérez | | | 78 | | | |
| 88 | Supervia, Conchita | | | Ay, ay, ay (Serenata criolla) | V | | 1931 | | 0000-00-00 | Odeon 195102 | | Parlophone RO 20165 | Pa_R20 | | | Paris | 25.04.1931 | | Ki 4399 | | | | Freire, Osmán Pérez | Freire, Osmán Pérez | Ms | Odeon | | | Ay_ay_ay_Rem~Frei |
| 205 | Supervia, Conchita | | | Bésame-Habañera | V | | 1932 | | 0000-00-00 | Odeon 184294 | Od_184 | Parlophone RO 20283 | Pa_R20 | | | Barcelona | 28.05.1932 | | So 7725 | | | | Godes, Pascual | Ferrer, Felipe | Ms | Odeon | | | |
| 421 | Supervia, Conchita | | | Bohemian Song-'Carmen' | V | | 0000 | | 0000-00-00 | Parlophone R 20127 | Pa_R20 | | | | | | | | | | | | Bizet, Georges | | | 78 | | | |
| 46828 | Supervia, Conchita | | | Boires baixes (Enrique Granados) | V | | 1931 | | 0000-00-00 | Odeon 184342 | Od_184 | | | | | Barcelona | 25.02.1931 | | So 6942 | | | | | | Ms | Odeon | | | |
| 47163 | Supervia, Conchita | | | Bonjour Suzon! | V | | 1930 | | 0000-00-00 | Odeon 168.677 | Od_168 | 195111, 6068 M | | | | Barcelona | 07.03.1930 | | So 6056 | | | | Delibes, Léo | Musset, Alfred de | Ms | Odeon | | | |
| 425764 | Supervia, Conchita | | | Callejo | V | | 1932 | | 0000-00-00 | Odeon 184335 | Od_184 | Parlophone R 20324 | Pa_R20 | | | Barcelona | 01.11.1932 | | So 7898 | Parlo R 20324, PO 161, 195110 ? | | | Granados-Periquet, Enrique | | Aus „Tonadillas“. | Odeon | | | |
| 425765 | Supervia, Conchita | | | Callejo | V | | 1932 | | 0000-00-00 | Odeon 184335 | Od_184 | Parlophone R 20324 | Pa_R20 | | | Barcelona | 01.11.1932 | | So 7897 §2 | Parlo R 20324, PO 161, 195110 ? | | | Granados-Periquet, Enrique | | Aus „Tonadillas“. | Odeon | | | |
| 438 | Supervia, Conchita | | | Callejo-La Maja Doloroso | V | | 1936 | | 0000-00-00 | Parlophone RO 20324 | Pa_R20 | | | | | | | | | | | | Granados "tonadillas" | | | 78 | | | |
| 444 | Supervia, Conchita | | | Cancion | V | | 0000 | | 0000-00-00 | Parlophone RO 20119 | Pa_R20 | | | | | | | | | | | | De Falla | | | 78 | | | |
| 56354 | Supervia, Conchita | | | Canción de antaño (Rafael Martínez Valls) | V | | 1932 | | 0000-00-00 | Odeon 184325 | Od_184 | | | | | Barcelona | 30.10.1932 | | So 7891 | | | | | | Ms | Odeon | | | |
| 446 | Supervia, Conchita | | | Cancion Del Paje | V | | 0000 | | 0000-00-00 | Parlophone RO 20299 | Pa_R20 | | | | | | | | | | | | Sartorio | | | 78 | | | |
| 56371 | Supervia, Conchita | | | Canción Gallega (Joaquín Nin) | V | | 1932 | | 0000-00-00 | Odeon 184329 | Od_184 | | | | | Barcelona | 25.05.1932 | | So 7715 | | | | | | Ms | Odeon | | | |
| 56380 | Supervia, Conchita | | | Cançó d'un doble amor (Antonio Marqués) | V | | 1928 | | 0000-00-00 | Odeon 185011 | | 184216 | | | | Barcelona | 15.05.1928 | | So 5055 | | | | | | Ms | Odeon | | | |
| 56375 | Supervia, Conchita | | | Cançó de l'amor que passa (Eduardo Toldrá) | V | | 1928 | | 0000-00-00 | Odeon 185011 | | 184216 | | | | Barcelona | 15.05.1928 | | So 5059 | | | | | | Ms | Odeon | | | |
| 56376 | Supervia, Conchita | | | Cançó de l'oblit | V | | 1930 | | 0000-00-00 | Odeon 184191 | Od_184 | | | | | Paris | 15.04.1930 | | Ki 3515 | | | | Toldrá, Eduardo | | Ms | Odeon | | | |
| 56377 | Supervia, Conchita | | | Cançó de Maria | V | | 1931 | | 0000-00-00 | Odeon 184229 | Od_184 | | | | | Barcelona | 24.02.1931 | | So 6935 | | | | Grignon, Juan Lamote de | Grignon, Juan Lamote de | Ms | Odeon | | | |
| 56378 | Supervia, Conchita | | | Cançó de passar cantant | V | | 1930 | | 0000-00-00 | Odeon 184191 | Od_184 | | | | | Paris | 15.04.1930 | | Ki 3513 | | | | Toldrá, Eduardo | Toldrá, Eduardo | Ms | Odeon | | | |
| 56379 | Supervia, Conchita | | | Cançó de traginers (Federico Longás) | V | | 1930 | | 0000-00-00 | Odeon 184262 | Od_184 | | | | | Paris | 15.04.1930 | | Ki 3512 | | | | | | Ms | Odeon | | | |
| 449 | Supervia, Conchita | | | Cantares | V | | 0000 | | 0000-00-00 | Parlophone RO 20299 | Pa_R20 | | | | | | | | | | | | Turina | | | 78 | | | |
| 57302 | Supervia, Conchita | | | Cantares-Canción (Joaquín Turina) | V | | 1927 | | 0000-00-00 | Odeon 185007 | | 184212, 188714 !, Parlo RO 20299 | | | | Barcelona | 15.11.1927 | | So 4699-1 | | | | | | Ms | Odeon | | | |
| 57313 | Supervia, Conchita | | | Canticel (Eduardo Toldrá-Caror) | V | | 1927 | | 0000-00-00 | Odeon 185006 | | 184211, 195013 | | | | Barcelona | 15.11.1927 | | So 4683 | | | | | | Ms | Odeon | | | |
| 57314 | Supervia, Conchita | | | Cantiga-Canción antigua (Joaquín Rodrigo-Marques de Santillana) | V | | 1932 | | 0000-00-00 | Odeon 184329 | Od_184 | | | | | Barcelona | 25.05.1932 | | So 7716 | | | | | | Ms | Odeon | | | |
| 57353 | Supervia, Conchita | | | CANZONCINE (Gennai), 1: Pioggerella, pioggerellina | V | | 1929 | | 0000-00-00 | Odeon 185014 | | | | | | Mailand | 07.02.1929 | | Pho 6452 | | | | | | Ms, ann | Odeon | | | |
| 57361 | Supervia, Conchita | | | CANZONCINE (Gennai), 8: La fonte | V | | 1909 | | 0000-00-00 | Odeon | | | | | | Mailand | 9..19.1909 | | Pho 6458 | | | | | | Ms, ann | Odeon | | | |
| 57369 | Supervia, Conchita | | | Canzone del paggio ('O che umore stravagante') (A. Sartorio) | V | | 1930 | | 0000-00-00 | Odeon 184200 | Od_184 | 168418, 6064 M, Parlo RO 20299 | | | | Barcelona | 04.03.1930 | | So 6052 | | | | | | Ms | Odeon | | | |
| 57409 | Supervia, Conchita | | | Capa española | V | | 1932 | | 0000-00-00 | Odeon 184296 | Od_184 | | | | | Barcelona | 23.05.1932 | | So 7706 | | | | Cotarelo, Francisco | | Ms | Odeon | | | |
| 454 | Supervia, Conchita | | | Carceleras | V | | 0000 | | 0000-00-00 | Parlophone RO 20165 | Pa_R20 | | | | | | | | | | | | Chapi | | | 78 | | | |
| 457 | Supervia, Conchita | | | Card Scene-'Carmen' (Part 1) | V | A | 0000 | | 0000-00-00 | Parlophone R 20131 | Pa_R20 | | | | | | | | | | | | Bizet, Georges | | | 78 | | | |
| 460 | Supervia, Conchita | | | Card Scene-'Carmen' (Part 2) | V | B | 0000 | | 0000-00-00 | Parlophone R 20131 | Pa_R20 | | | | | | | | | | | | Bizet, Georges | | | 78 | | | |
| 58282 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), I- 5: Habanera (Carmen) 'L'amour est | V | | 1930 | | 0000-00-00 | Odeon 125075 | Od_125 | Parlo R 20278 | | | | Paris | 15.05.1930 | | xxP 7267 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58283 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), I- 5: Habanera (Carmen) 'L'amour est | V | | 1930 | | 0000-00-00 | Odeon 123773 | Od_123 | | | | | Paris | 15.05.1930 | | xxP 7267 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58340 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), II-12: Chanson bohème (Carmen, Frasq | V | | 1930 | | 0000-00-00 | Odeon 125045 | Od_125 | | | | | Paris | 15.04.1930 | | xxP 7098-1 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58341 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), II-12: Chanson bohème (Carmen, Frasq | V | | 1930 | | 0000-00-00 | Odeon 123714 | Od_123 | Parlophone R 20127 | Pa_R20 | | | Paris | 15.04.1930 | | xxP 7098-1 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58401 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), II-15: Quintette (Carmen, Frasquita, | V | | 1927 | | 0000-00-00 | Odeon 188691 | | 184208, 185002, 188691, 195010, M 6037 | | | | Mailand | 15.10.1927 | | WPho 6060-2 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58412 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), II-17a: Danse des castagnettes (Carm | V | | 1930 | | 0000-00-00 | Odeon 125074 | Od_125 | PXO 1019 | | | | Paris | 15.05.1930 | | xxP 7266-2 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58413 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), II-17a: Danse des castagnettes (Carm | V | | 1930 | | 0000-00-00 | Odeon 123772 | Od_123 | Parlo R 20251, US-Decca P-G-2589 | | | | Paris | 15.05.1930 | | xxP 7266-2 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58472 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), II-17c: Duo (Carmen, Don José) 'Non! | V | | 1930 | | 0000-00-00 | Odeon 125075 | Od_125 | PXO 1019 | | | | Paris | 15.05.1930 | | xxP 7265-2 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58473 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), II-17c: Duo (Carmen, Don José) 'Non! | V | | 1930 | | 0000-00-00 | Odeon 123773 | Od_123 | Parlo R 20251, US-Decca P-G-2589 | | | | Paris | 15.05.1930 | | xxP 7265-2 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58477 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), III-20: Trio (Carmen, Frasquita, Mer | V | | 1930 | | 0000-00-00 | Odeon 125042 | Od_125 | PXO 1017 | | | | Paris | 15.04.1930 | | xxP 7101-2 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58478 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), III-20: Trio (Carmen, Frasquita, Mer | V | | 1930 | | 0000-00-00 | Odeon 125042 | Od_125 | PXO 1017 | | | | Paris | 15.04.1930 | | xxP 7100-2 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58479 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), III-20: Trio (Carmen, Frasquita, Mer | V | | 1930 | | 0000-00-00 | Odeon 123713 | Od_123 | Parlophone R 20131 | Pa_R20 | | | Paris | 15.04.1930 | | xxP 7101-2 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58480 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), III-20: Trio (Carmen, Frasquita, Mer | V | | 1930 | | 0000-00-00 | Odeon 123713 | Od_123 | Parlophone R 20131 | Pa_R20 | | | Paris | 15.04.1930 | | xxP 7100-2 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58529 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), IV-27: Duo et Chœur final (Carmen, D | V | | 1930 | | 0000-00-00 | Odeon 123744 | Od_123 | 1125077 | | | | Paris | 15.05.1930 | | xxP 7264-2 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 58530 | Supervia, Conchita | | | CARMEN (Georges Bizet-Henri Meilhac, Ludovic Halévy), IV-27: Duo et Chœur final (Carmen, D | V | | 1930 | | 0000-00-00 | Odeon 123744 | Od_123 | 1125077 | | | | Paris | 15.05.1930 | | xxP 7263-2 | | | | Bizet, Georges | | Ms | Odeon | | | |
| 1155027 | Supervia, Conchita | | | Carmen, Act I: L'Amour Est Un Oiseau Rebelle | V | | | 4:09 | 0000-00-00 | | | | | 3865511 | | | | | | | | | | | | | | De | |
| 1155030 | Supervia, Conchita | | | Carmen: Act I-'L'amour est un oiseau rebelle (Habanera)' | V | | | 4:07 | 0000-00-00 | | | | | 1062350 | | | | | | | | | | | | | | De | |
| 1155028 | Supervia, Conchita | | | Carmen: L'amour Est Un Oiseau Rebelle | V | | | 4:08 | 0000-00-00 | | | | | 3250181 | | | | | | | | | | | | | | De | |
| 1155029 | Supervia, Conchita | | | Carmen: L'amour Est Un Oiseau Rebelle | V | | | 4:02 | 0000-00-00 | | | | | 2609271 | | | | | | | | | | | | | | De | |
| 1213062 | Supervia, Conchita | | | Clavelitis (Carnations) | V | | | 2:13 | 0000-00-00 | | | | | 7827847 | | | | 30.11.2014 | | | | | | | | | | De | |
| 525 | Supervia, Conchita | | | Clavelitos | V | | 0000 | 2:13 | 0000-00-00 | Parlophone RO 20154 | Pa_R20 | | | | | | | | | | | | Valverde | | | 78 | | De | |
| 1721247 | Supervia, Conchita | | | Clavelitos | V | 1 20 | 0000 | 2:13 | 0000-00-00 | Parlophone RO 20154 | | | | 13247937 | | | | 01.01.2010 | | | | | Valverde | | | | | De | |
| 528 | Supervia, Conchita | | | Clavelitos-Pregón gitano (Joaquín Valverde-S. Juan) | V | | 1931 | | 0000-00-00 | Parlophone RO 20154 | Pa_R20 | | | | | Paris | 25.04.1931 | | Ki 4398-2 | | | | | | Ms | Odeon | | | |
| 67041 | Supervia, Conchita | | | Clavelitos-Pregón gitano (Joaquín Valverde-S. Juan) | V | | 1927 | | 0000-00-00 | Odeon 185007 | | 184212, 188714 ! | | | | Barcelona | 15.10.1927 | | So 4620-3 | | | | | | Ms | Odeon | | | |
| 572 | Supervia, Conchita | | | Connais tu le Pays ?-'Mignon' | V | | 1937 | | 0000-00-00 | Parlophone R 20192 | Pa_R20 | | | | | | | | | | | | Thomas | | | 78 | | | |
| 71463 | Supervia, Conchita | | | Consejos-Habañera (Fermín M. Alvárez-Eusebio Blasco) | V | | 1932 | | 0000-00-00 | Odeon 184294 | Od_184 | | | | | Barcelona | 27.05.1932 | | So 7719 | | | | | | Ms | Odeon | | | |
| 72127 | Supervia, Conchita | | | Coplas de amores | V | | 1930 | | 0000-00-00 | Odeon 184198 | Od_184 | | | | | Barcelona | 15.04.1930 | | So 6604 | | | | Gómez, Julio | Gómez, Julio | Ms | Odeon | | | |
| 79113 | Supervia, Conchita | | | DANZAS ESPAÑOLAS, 5: Andaluza | V | | 1930 | | 0000-00-00 | Odeon 121146 | Od_121 | Odeon 125051 | | | | Barcelona | 28.02.1930 | | xxS 6071 | | | | Granados, Enrique | Lorente, Munoz | Ms | Odeon | | | |
| 605 | Supervia, Conchita | | | De la Serrania | V | | 0000 | | 0000-00-00 | Parlophone R 20129 | Pa_R20 | | | | | | | | | | | | Romero/Machado | | | 78 | | | |
| 80921 | Supervia, Conchita | | | De la serranía-Fandanguillo de concierto (Modesto Romero-Manuel Machado) | V | | 1930 | | 0000-00-00 | Odeon 185018 | | 184218, 195079, Parlo R 20129 | | | | Barcelona | 08.03.1930 | | So 6046 | | | | | | Ms | Odeon | | | |
| 80922 | Supervia, Conchita | | | De la serranía-Fandanguillo de concierto (Modesto Romero-Manuel Machado) | V | | 1928 | | 0000-00-00 | Odeon 185010 | | 184215, 195071 | | | | Barcelona | 15.04.1928 | | So 4910 | | | | | | Ms | Odeon | | | |
| 101347 | Supervia, Conchita | | | Eglogue ('Viens, une flûte invisible') (Léo Delibes-Victor Hugo) | V | | 1930 | | 0000-00-00 | Odeon 185021 | | 168677, 184220, 6068 M | | | | Barcelona | 05.03.1930 | | So 6026 | | | | | | Ms | Odeon | | | |
| 103175 | Supervia, Conchita | | | EL AMOR BRUJO (Manuel de Falla), 4: Canción del amor dolido | V | | 1930 | | 0000-00-00 | Odeon 184201 | Od_184 | HMB 54A | | | | Barcelona | 13.10.1930 | | So 6606 | | | | | | Ms | Odeon | | | |
| 103176 | Supervia, Conchita | | | EL AMOR BRUJO (Manuel de Falla), 9: Canción del fuego fatuo | V | | 1930 | | 0000-00-00 | Odeon 184201 | Od_184 | HMB 54B | | | | Barcelona | 13.10.1930 | | So 6605 | | | | | | Ms | Odeon | | | |
| 103177 | Supervia, Conchita | | | El amor es como un niño (Joaquín Nin) | V | | 1932 | | 0000-00-00 | Odeon 184345 | Od_184 | | | | | Barcelona | 25.05.1932 | | So 7714 §1 | | | | | | Ms | Odeon | | | |
| 103404 | Supervia, Conchita | | | EL CORRAL DE LA PACHECA (Amadeo Vives-Delgado): La Presumida (Canción epigramátical) | V | | 1928 | | 0000-00-00 | Odeon 185009 | | 184214, 188746 | | | | Barcelona | 15.04.1928 | | So 4909 | | | | | | Ms | Odeon | | | |
| 103505 | Supervia, Conchita | | | EL HUÉSPED DEL SEVILLANO (Jacinto Guerrero, E. Reoyo): Las lagarteranas | V | | 1931 | | 0000-00-00 | Odeon 188809 | | 195100, Parlo RO 20158 | | | | Paris | 25.04.1931 | | Ki 4396 | | | | | | Ms | Odeon | | | |
| 103527 | Supervia, Conchita | | | EL JURAMENTO (Joaquín Gaztambide): Romanza '¡Ay! yo me ví en el mundo desamparada' | V | | 1932 | | 0000-00-00 | Odeon 184326 | Od_184 | | | | | Barcelona | 31.10.1932 | | So 7893 | | | | | | Ms | Odeon | | | |
| 799 | Supervia, Conchita | | | El Majo Discreto-El Majo Timido | V | | 1936 | | 0000-00-00 | Parlophone RO 20325 | Pa_R20 | | | | | | | | | | | | Granados "tonadillas" | | | 78 | | | |
| 425766 | Supervia, Conchita | | | El majo tímido | V | | 1932 | | 0000-00-00 | Odeon 184336 | Od_184 | Parlophone R 20325 | Pa_R20 | | | Barcelona | 01.11.1932 | | So 7899 §1 | Parlo R 20325, PO 162, 195110 ? | | | Granados-Periquet, Enrique | | Aus „Tonadillas“. | Odeon | | | |
| 425767 | Supervia, Conchita | | | El majo tímido | V | | 1932 | | 0000-00-00 | Odeon 184336 | Od_184 | Parlophone R 20325 | Pa_R20 | | | Barcelona | 01.11.1932 | | So 7900 §1 | Parlo R 20325, PO 162, 195110 ? | | | Granados-Periquet, Enrique | Granados-Periquet, Enrique | Aus „Tonadillas“. | Odeon | | | |
| 103536 | Supervia, Conchita | | | EL MAL DE AMORES (José Serrano-Hermanos Quintero): Canción de la gitanita | V | | 1932 | | 0000-00-00 | Odeon 184305 | Od_184 | | | | | Barcelona | 31.10.1932 | | So 7895 | | | | | | Ms | Odeon | | | |
| 103569 | Supervia, Conchita | | | EL MILAGRO DE LA VIRGEN (Ruperto Chapí): Gracias al cielo | V | | 1932 | | 0000-00-00 | Odeon 184309 | Od_184 | | | | | Barcelona | 28.10.1932 | | So 7901 | | | | | | Ms | Odeon | | | |
| 103595 | Supervia, Conchita | | | EL NIÑO JUDIO (Pablo Luna): De España vengo | V | | 1927 | | 0000-00-00 | Odeon 122003 | Od_122 | 121150, 123694, 125015 | | | | Barcelona | 15.10.1927 | | xxS 4619 | | | | | | Ms | Odeon | | | |
| 801 | Supervia, Conchita | | | El Pano Moruno | V | | 0000 | | 0000-00-00 | Parlophone RO 20117 | Pa_R20 | | | | | | | | | | | | de Falla | | | 78 | | | |
| 103610 | Supervia, Conchita | | | El pano murciano (Joaquín Nin) | V | | 1931 | | 0000-00-00 | Odeon 184246 | Od_184 | | | | | Barcelona | 24.02.1931 | | So 6943 §1 | | | | | | Ms | Odeon | | | |
| 804 | Supervia, Conchita | | | El Panuelo De Lunares-'cancion Andaluza' | V | | 0000 | | 0000-00-00 | Parlophone RO 20283 | Pa_R20 | | | | | | | | | | | | Francisco Alonzo/Alvarez Quintero | | | 78 | | | |
| 807 | Supervia, Conchita | | | El pañuelo de lunares-Canción andaluza (Francisco Alonso) | V | | 1932 | | 0000-00-00 | Odeon 184303 | Od_184 | Parlophone RO 20283 | Pa_R20 | | | Barcelona | 27.05.1932 | | So 7717 | | | | | | Ms | Odeon | | | |
| 809 | Supervia, Conchita | | | El Relicario | V | | 0000 | | 0000-00-00 | Parlophone RO 20158 | Pa_R20 | | | | | | | | | | | | Padilla/Castellvi | | | 78 | | | |
| 103705 | Supervia, Conchita | | | El Relicario-Paso doble (José Padilla) | V | | 1931 | | 0000-00-00 | Odeon 188809 | | 195100, Parlo RO 20158 | | | | Paris | 25.04.1931 | | Ki 4397 | | | | | | Ms | Odeon | | | |
| 103731 | Supervia, Conchita | | | El saltiró de la cardina-Sardana (Vicente Bou) | V | | 1927 | | 0000-00-00 | Odeon 185006 | | 184211 | | | | Barcelona | 15.11.1927 | | So 4682 | | | | | | Ms | Odeon | | | |
| 103791 | Supervia, Conchita | | | El vito (Joaquín Nin) | V | | 1931 | | 0000-00-00 | Odeon 184246 | Od_184 | | | | | Barcelona | 24.02.1931 | | So 6943 §2 | | | | | | Ms | Odeon | | | |
| 104391 | Supervia, Conchita | | | Els cants dels ocells | V | | 1931 | | 0000-00-00 | Odeon 184229 | Od_184 | | | | | Barcelona | 24.02.1931 | | So 6936 | | | | Nin, Joaquín | Nin, Joaquín | Ms | Odeon | | | |
| 105373 | Supervia, Conchita | | | Enterro-Canción catalana (Enrique Morera-E. Guanyabens) | V | | 1930 | | 0000-00-00 | Odeon 184251 | Od_184 | | | | | Barcelona | 08.03.1930 | | So 6057 | | | | | | Ms | Odeon | | | |
| 891 | Supervia, Conchita | | | FAUST (Charles F. Gounod-Jules Barbier, Michel Carré), III-10: Couplets (Siébel) 'Faites-l | V | | 1931 | | 0000-00-00 | Parlophone RO 20180 | Pa_R20 | | | | | Paris | 24.10.1931 | | Ki 4897-1 | | | | | | Ms | Odeon | | | |
| 57356 | Supervia, Conchita | | | Filastrocca dell'asino | V | | 1929 | | 0000-00-00 | Odeon 168.226 | Od_168 | 6061 M, 185014 | | | | Mailand | 09.02.1929 | | Pho 6451 | | | | | | CANZONCINE (Gennai), 4: | Odeon | | | |
| 57357 | Supervia, Conchita | | | Filastrocca dell'asino | V | | 1929 | | 0000-00-00 | Odeon 168.226 | Od_168 | 6061 M, 185014 | | | | Mailand | 09.02.1929 | | Pho 6451-2 | | | | | | CANZONCINE (Gennai), 4: | Odeon | | | |
| 116265 | Supervia, Conchita | | | Flecha-Canción (Juan Manén-Luis Doreste) | V | | 1932 | | 0000-00-00 | Odeon 184342 | Od_184 | | | | | Barcelona | 21.05.1932 | | So 7697 | | | | | | Ms | Odeon | | | |
| 116754 | Supervia, Conchita | | | FLOR DE ESPAÑA (Pablo Luna-Fernandez de Villar): Jota 'En Zaragoza' | V | | 1927 | | 0000-00-00 | Odeon 122003 | Od_122 | 121150, 123694, 125015 | | | | Barcelona | 15.10.1927 | | xxS 4618 | | | | | | Ms | Odeon | | | |
| 116758 | Supervia, Conchita | | | Flor del terruño-Canción castellana (Rafael Martínez Valls) | V | | 1932 | | 0000-00-00 | Odeon 184325 | Od_184 | | | | | Barcelona | 30.10.1932 | | So 7890 | | | | | | Ms | Odeon | | | |
| 116762 | Supervia, Conchita | | | Flor y luz | V | | 1931 | | 0000-00-00 | Odeon 184276 | Od_184 | PO 51 | | | | Paris | 02.12.1931 | | Ki 4928 | | | | Pedro Puche-Juan Dotras Vila | | Ms | Odeon | | | |
| 958 | Supervia, Conchita | | | Frühlingslied (Spring Song) | V | | 1931 | | 0000-00-00 | Odeon 184271 | Od_184 | Parlophone RO 20212 | Pa_R20 | | | Paris | 30.11.1931 | | Ki 4929 | | | | Mendelssohn Bartholdy, Felix | Mendelssohn Bartholdy, Felix | In spanisch gesungen. Op.62,6. | Odeon | | | Frhlingslied~Mend |
| 976 | Supervia, Conchita | | | Gentle Flower In The Dew-'Faust' | V | | 0000 | | 0000-00-00 | Parlophone RO 20180 | Pa_R20 | | | | | | | | | | | | Gounod, Charles F. | | | 78 | | | |
| 128492 | Supervia, Conchita | | | Gitana | V | | 1930 | | 0000-00-00 | Odeon 184198 | Od_184 | | | | | Paris | 15.04.1930 | | Ki 3514 | | | | Longás, Federico | Longás, Federico | Ms | Odeon | | | |
| 128495 | Supervia, Conchita | | | GITANJALI (John Alden Carpenter-Rabindranath Tagore), 1: When I bring you colour'd toys | V | | 3.17 | | 0000-00-00 | Odeon | | HMA 1 | | | | London | 2..19.3.17 | | Lo 3006-2 | | | | | | Ms | Odeon | | | |
| 128496 | Supervia, Conchita | | | GITANJALI (John Alden Carpenter-Rabindranath Tagore), 1: When I bring you colour'd toys | V | | 3.17 | | 0000-00-00 | Odeon | | HMA 1 | | | | London | 2..19.3.17 | | Lo 3007 | | | | | | Ms | Odeon | | | |
| 128497 | Supervia, Conchita | | | GITANJALI (John Alden Carpenter-Rabindranath Tagore), 3: The sleep that flits on baby's ey | V | | 1932 | | 0000-00-00 | Odeon | | | | | | London | 17.03.1932 | | Lo 3002 | | | | | | Ms | Odeon | | | |
| 136194 | Supervia, Conchita | | | Granada | V | | 1930 | | 0000-00-00 | Odeon | | | | | | Barcelona | 11.03.1930 | | xxS 6070 | | | | Isaac Albéniz-Cuenca | | Ms | Odeon | | | |
| 136195 | Supervia, Conchita | | | Granada | V | | 1930 | | 0000-00-00 | Odeon 125051 | | | | | | Barcelona | 28.02.1930 | | xxS 6027-2 | | | | Isaac Albéniz-Cuenca | | Ms | Odeon | | | |
| 136196 | Supervia, Conchita | | | Granada | V | | 1930 | | 0000-00-00 | Odeon 121146 | Od_121 | Odeon 6678 N | | | | Barcelona | 28.02.1930 | | xxS 6027 | | | | Isaac Albéniz-Cuenca | | Ms | Odeon | | | |
| 1017 | Supervia, Conchita | | | Granada | V | | 1930 | | 0000-00-00 | Parlophone R 20130 | Pa_R20 | Odeon 172204 | | | | Barcelona | 28.02.1930 | | xxS 6071 | | | | Albeniz/Cuenca | | | 78 | | | |
| 57359 | Supervia, Conchita | | | grillo | V | | 1929 | | 0000-00-00 | Odeon 168.227 | Od_168 | 6062 M, 185016 | | | | Mailand | 09.02.1929 | | Pho 6457 | | | | | | CANZONCINE (Gennai), 6: Il | Odeon | | | |
| 58258 | Supervia, Conchita | | | Habanera (Carmen) 'E' l'amore | V | | 1927 | | 0000-00-00 | Odeon 168.102 | Od_168 | 184207, 185001, 188673, 195006, M 6034, O-4786 | | | | Mailand | 03.10.1927 | | WPho 6054-2 | | | | Bizet, Georges | Halévy, Ludovic | Aus „Carmen“. | Odeon | | | |
| 1032 | Supervia, Conchita | | | Habanera-'carmen' | V | | 0000 | | 0000-00-00 | Parlophone R 20278 | Pa_R20 | | | | | | | | | | | | Bizet, Georges | | | 78 | | | |
| 139409 | Supervia, Conchita | | | Háblame de amores (Esteban Fusté) | V | | 1932 | | 0000-00-00 | Odeon 184286 | Od_184 | | | | | Barcelona | 23.05.1932 | | So 7700 | | | | | | Ms | Odeon | | | |
| 144736 | Supervia, Conchita | | | Hay en mi jardin (Lizcano de la Rosa) | V | | 1932 | | 0000-00-00 | Odeon 184333 | Od_184 | | | | | Barcelona | 03.06.1932 | | So 7892 | | | | | | Ms | Odeon | | | |
| 154116 | Supervia, Conchita | | | Hojas muertas (Charles Maduro-José Mojica) | V | | 1932 | | 0000-00-00 | Odeon | | | | | | Barcelona | 04.11.1932 | | So 7906 | | | | | | Ms | Odeon | | | |
| 180394 | Supervia, Conchita | | | I ZINGARI IN FIERA (Giovanni Paisiello): Chi vuol la zingarella | V | | 1930 | | 0000-00-00 | Odeon 185020 | | 168401, 184219, 195081, 6063 M, Parlo RO 20305 | | | | Barcelona | 28.02.1930 | | So 6042 | | | | | | Ms | Odeon | | | |
| 180395 | Supervia, Conchita | | | I ZINGARI IN FIERA (Giovanni Paisiello): Chi vuol la zingarella | V | | 1930 | | 0000-00-00 | Odeon 185020 | | 168401, 184219, 195081, 6063 M, Parlo RO 20305 | | | | Barcelona | 28.02.1930 | | So 6042-2 | | | | | | Ms | Odeon | | | |
| 357231 | Supervia, Conchita | | | I: Printemps qui commence | V | | 1931 | | 0000-00-00 | Odeon 121165 | Od_121 | Parlophone 68650 | | | | Paris | 24.10.1931 | | xxP 7312 | | | | Saint-Saëns, Camille | Saint-Saëns, Camille | Ms | Odeon | | | |
| 357232 | Supervia, Conchita | | | I: Printemps Qui Commence | V | | 1931 | | 0000-00-00 | Odeon 121165 | Od_121 | Parlophone 68650 | | | | Paris | 24.10.1931 | | xxP 7311 | | | | Saint-Saëns, Camille | Saint-Saëns, Camille | Samson And Delilah | Odeon | | | |
| 187178 | Supervia, Conchita | | | IL BARBIERE DI SIVIGLIA (Gioacchino Rossini-Cesare Sterbini), I- 5: Cavatina (Rosina) 'Io | V | | 1927 | | 0000-00-00 | Odeon 120098 | Od_120 | 121148, 122001, 125016, N 6657, O-8907, PXO 1015, | | | | Mailand | 01.10.1927 | | WxxPh 6047 | | | | | | Ms | Odeon | | | |
| 187207 | Supervia, Conchita | | | IL BARBIERE DI SIVIGLIA (Gioacchino Rossini-Cesare Sterbini), I- 5: Cavatina (Rosina) 'Una | V | | 1927 | | 0000-00-00 | Odeon 120098 | Od_120 | 121148, 122001, 125016, N 6657, O-8907, PXO 1015, | | | | Mailand | 01.10.1927 | | WxxPh 6046 | | | | | | Ms | Odeon | | | |
| 187231 | Supervia, Conchita | | | IL BARBIERE DI SIVIGLIA (Gioacchino Rossini-Cesare Sterbini), II- 3: Aria (Rosina, Almaviv | V | | 1928 | | 0000-00-00 | Odeon 120167 | Od_120 | 121153, 122008, 123702, 125032, N 6659, PXO 1020, | | | | Mailand | 15.10.1928 | | xxPh 6321 | | | | | | Ms | Odeon | | | |
| 187232 | Supervia, Conchita | | | IL BARBIERE DI SIVIGLIA (Gioacchino Rossini-Cesare Sterbini), II- 3: Aria (Rosina, Almaviv | V | | 1928 | | 0000-00-00 | Odeon 120167 | Od_120 | 121153, 122008, 123702, 125032, N 6659, PXO 1020, | | | | Mailand | 15.10.1928 | | xxPh 6320 | | | | | | Ms | Odeon | | | |
| 57354 | Supervia, Conchita | | | Il gallo | V | | 1929 | | 0000-00-00 | Odeon 168.225 | Od_168 | 185015, 6060 M | | | | Mailand | 07.02.1929 | | Pho 6453 | | | | | | CANZONCINE (Gennai), 2: | Odeon | | | |
| 214108 | Supervia, Conchita | | | Java Apache-Java musette (Pascual Godes-Felipe Ferrer) | V | | 1932 | | 0000-00-00 | Odeon 183754 | | | | | | Barcelona | 28.05.1932 | | So 7724 | | | | | | Ms | Odeon | | | |
| 1160 | Supervia, Conchita | | | Jota | V | | 0000 | | 0000-00-00 | Parlophone RO 20118 | Pa_R20 | | | | | | | | | | | | De Falla | | | 78 | | | |
| 218124 | Supervia, Conchita | | | Jota Valenciana (Joaquín Nin) | V | | 1932 | | 0000-00-00 | Odeon 184345 | Od_184 | | | | | Barcelona | 25.05.1932 | | So 7714 §2 | | | | | | Ms | Odeon | | | |
| 218640 | Supervia, Conchita | | | Jujeña | V | | 1930 | | 0000-00-00 | Odeon 184223 | Od_184 | | | | | Barcelona | 15.10.1930 | | So 6610 | | | | López Buchardo-Gonzalez Lopez | | Ms | Odeon | | | |
| 1187 | Supervia, Conchita | | | Know'st Thou The Land | V | | 30-31 | | 0000-00-00 | Parlophone R 20105 | Pa_R20 | | | | | | | | | | | | Thomas, Ambroise | | Aus der Oper „Mignon“ von 1866. | Pa_31 | 0117 | | |
| 229541 | Supervia, Conchita | | | L' ángel de la son (Juan Lamote de Grignon-Apeles) | V | | 1932 | | 0000-00-00 | Odeon | | | | | | Barcelona | 03.06.1932 | | So 7736 | | | | | | Ms | Odeon | | | |
| 229542 | Supervia, Conchita | | | L' ángel de la son (Juan Lamote de Grignon-Apeles) | V | | 1932 | | 0000-00-00 | Odeon | | | | | | Barcelona | 17.06.1932 | | So 7736-2 | | | | | | Ms | Odeon | | | |
| 229796 | Supervia, Conchita | | | L' hora grisa (F. Mompou) | V | | 1931 | | 0000-00-00 | Odeon 184251 | Od_184 | | | | | Barcelona | 24.02.1931 | | So 6937 | | | | | | Ms | Odeon | | | |
| 229826 | Supervia, Conchita | | | L' ITALIANA IN ALGERI (Gioacchino Rossini-Angelo Anelli): Ai capricci della sorte <1> | V | | 1927 | | 0000-00-00 | Odeon 120162 | Od_120 | 121149, 122002, 125017, 6658 N | | | | Barcelona | 15.10.1927 | | xxS 4597 | | | | | | Ms | Odeon | | | |
| 229827 | Supervia, Conchita | | | L' ITALIANA IN ALGERI (Gioacchino Rossini-Angelo Anelli): Ai capricci della sorte <1> | V | | 1927 | | 0000-00-00 | Odeon 120162 | Od_120 | 121149, 122002, 125017, 6658 N | | | | Barcelona | 15.10.1927 | | xxS 4596 | | | | | | Ms | Odeon | | | |
| 229830 | Supervia, Conchita | | | L' ITALIANA IN ALGERI (Gioacchino Rossini-Angelo Anelli): Oh! che muso | V | | 1927 | | 0000-00-00 | Odeon 120200 | Od_120 | 6666 N, Parlo R 20278 | | | | Barcelona | 15.10.1927 | | xxS 4598 | | | | | | Ms | Odeon | | | |
| 229873 | Supervia, Conchita | | | L' ultima canzone (F. Paolo Tosti-Francesco Cimmino) | V | | 1930 | | 0000-00-00 | Odeon 185020 | | 168547, 184219, 195081, 6067 M | | | | Barcelona | 28.02.1930 | | So 6025 | | | | | | Ms | Odeon | | | |
| 1155026 | Supervia, Conchita | | | L'amour Est un Oiseau Rebelle (Habanera) from Carmen | V | | | 4:16 | 0000-00-00 | | | | | 7820949 | | | | 01.12.2014 | | | | | | | | | | De | |
| 229908 | Supervia, Conchita | | | LA ALEGRÍA DEL BATALLÓN (José Serrano): Canción (Dolores) 'A una gitana preciosa' | V | | 1932 | | 0000-00-00 | Odeon 184305 | Od_184 | | | | | Barcelona | 31.10.1932 | | So 7896 | | | | | | Ms | Odeon | | | |
| 1194 | Supervia, Conchita | | | LA BOHÈME (Giacomo Puccini-Giuseppe Giacosa, Luigi Illica): D'un pas léger (Valse de Muset | V | | 1931 | | 0000-00-00 | Parlophone RO 20180 | Pa_R20 | | | | | Paris | 24.10.1931 | | Ki 4898-2 | | | | | | Ms | Odeon | | | |
| 230368 | Supervia, Conchita | | | La buenaventura (Ignacio Tabuyo) | V | | 1932 | | 0000-00-00 | Odeon 184286 | Od_184 | | | | | Barcelona | 23.05.1932 | | So 7707 | | | | | | Ms | Odeon | | | |
| 230454 | Supervia, Conchita | | | LA CENERENTOLA (Gioacchino Rossini-Jacopo Ferretti), I: 'Signore, una parola' | V | | 1929 | | 0000-00-00 | Odeon 120191 | Od_120 | N 6664, PXO 1021, Parlo R 20273 | | | | Mailand | 08.02.1929 | | xxPh 6455 | | | | | | Ms | Odeon | | | |
| 230455 | Supervia, Conchita | | | LA CENERENTOLA (Gioacchino Rossini-Jacopo Ferretti): Nacqui all'affanno <1> | V | | 1927 | | 0000-00-00 | Odeon 120092 | Od_120 | 121147, 122000, 125018, N 6656, PXO 1018, Parlo R | | | | Mailand | 01.10.1927 | | WxxPh 6042 | | | | | | Ms | Odeon | | | |
| 230456 | Supervia, Conchita | | | LA CENERENTOLA (Gioacchino Rossini-Jacopo Ferretti): Non più mesta accanto <2> | V | | 1927 | | 0000-00-00 | Odeon 120092 | Od_120 | 121147, 122000, 125018, N 6656, PXO 1018, Parlo R | | | | Mailand | 01.10.1927 | | WxxPh 6043 | | | | | | Ms | Odeon | | | |
| 230548 | Supervia, Conchita | | | LA CHAVALA (Ruperto Chapí), I: Canción gitana 'Fué mi mare la gitana más pulía y más salá' | V | | 1927 | | 0000-00-00 | Odeon 122004 | Od_122 | 121151 | | | | Barcelona | 15.10.1927 | | xxS 4612 | | | | | | Ms | Odeon | | | |
| 230851 | Supervia, Conchita | | | LA DAMNATION DE FAUST (Hector Berlioz, op.24-Hector Berlioz, Almire Gandonnière): Autrefoi | V | | 0.24 | | 0000-00-00 | Odeon | | HMB 11 | | | | Paris | 1931.10.24 | | xxP 7313-2 | | | | | | Ms | Odeon | | | |
| 230852 | Supervia, Conchita | | | LA DAMNATION DE FAUST (Hector Berlioz, op.24-Hector Berlioz, Almire Gandonnière): Autrefoi | V | | 0.26 | | 0000-00-00 | Odeon | | HMB 11 | | | | Paris | 1931.10.26 | | xxP 7314 | | | | | | Ms | Odeon | | | |
| 230930 | Supervia, Conchita | | | La del pañuelo rojo-Zortzico de Bilbao (trad.; arr.: Ignacio Tabuyo) | V | | 1932 | | 0000-00-00 | Odeon 184345 | Od_184 | | | | | Barcelona | 25.05.1932 | | So 7718 | | | | | | Ms | Odeon | | | |
| 231042 | Supervia, Conchita | | | La Farigola-Cançó catalan | V | | 1930 | | 0000-00-00 | Odeon 184186 | Od_184 | | | | | Paris | 15.04.1930 | | Ki 3509 | | | | J. Borras de Palau-J. Verdaguer | | Ms | Odeon | | | |
| 1249 | Supervia, Conchita | | | La Farruccia (triptico) | V | | 0000 | | 0000-00-00 | Parlophone RO 20154 | Pa_R20 | | | | | | | | | | | | Turina | | | 78 | | | |
| 231265 | Supervia, Conchita | | | La filadora | V | | 1930 | | 0000-00-00 | Odeon 184199 | Od_184 | | | | | Paris | 15.04.1930 | | Ki 3516 | | | | Manén, Juan | Manén, Juan | Ms | Odeon | | | |
| 232287 | Supervia, Conchita | | | LA MARCHENERA (Federico Moreno Torróba): La petenera | I | | 1927 | | 0000-00-00 | Odeon 122004 | Od_122 | 121151 | | | | Barcelona | 15.11.1927 | | xxS 4681 | | | | | | Ms | Odeon | | | |
| 232587 | Supervia, Conchita | | | La noia bonica (Federico Longas-Ignacio Iglesias) | V | | 1932 | | 0000-00-00 | Odeon | | | | | | Barcelona | 21.05.1932 | | So 7698 | | | | | | Ms | Odeon | | | |
| 1257 | Supervia, Conchita | | | La Paloma | V | | 1930 | | 0000-00-00 | Odeon 184235 | Od_184 | Parlophone RO 20129 | Pa_R20 | | | Barcelona | 24.10.1930 | | So 6679 | | | | Yradier, Sebastián de | Yradier, Sebastián de | Ms | Odeon | | | COVER. Original filtern |
| 232791 | Supervia, Conchita | | | La partida-Canción española (Fermín M. Alvárez-Eusebio Blasco) | V | | 1931 | | 0000-00-00 | Odeon 121163 | Od_121 | | | | | Paris | 26.10.1931 | | xxP 7316 | | | | | | Ms | Odeon | | | |
| 286 | Supervia, Conchita | | | La pastora | V | | 1931 | | 0000-00-00 | Odeon 184271 | Od_184 | Parlophone RO 20305 | Pa_R20 | | | Paris | 30.11.1931 | | Ki 4922 | | | | Murillo-Miranda | | Ms | Odeon | | | |
| 1262 | Supervia, Conchita | | | La Pastora | V | | 0000 | | 0000-00-00 | Parlophone RO 20305 | Pa_R20 | | | | | | | | | | | | Murillo | | | 78 | | | |
| 233002 | Supervia, Conchita | | | LA REINA MORA (José Serrano): Compañero del alma | V | | 1932 | | 0000-00-00 | Odeon 184309 | Od_184 | | | | | Barcelona | 28.10.1932 | | So 7902 | | | | | | Ms | Odeon | | | |
| 233000 | Supervia, Conchita | | | LA REINA MORA (José Serrano): ¡Ay! gitana, pasó la pena <1> | V | | 1930 | | 0000-00-00 | Odeon 185019 | | 184480, 195082 | | | | Barcelona | 11.03.1930 | | So 6068 | | | | | | Ms | Odeon | | | |
| 233001 | Supervia, Conchita | | | LA REINA MORA (José Serrano): ¡Ay! gitana, pasó la pena <2> | V | | 1930 | | 0000-00-00 | Odeon 185019 | | 184480, 195082 | | | | Barcelona | 11.03.1930 | | So 6067 | | | | | | Ms | Odeon | | | |
| 233047 | Supervia, Conchita | | | LA REVOLTOSA (Ruperto Chapí-J. Lopez Silva, Fernandez Shaw): Guajiras | V | | 1930 | | 0000-00-00 | Odeon 184235 | Od_184 | | | | | Barcelona | 15.10.1930 | | So 6609 | | | | | | Ms | Odeon | | | |
| 233048 | Supervia, Conchita | | | LA REVOLTOSA (Ruperto Chapí-J. Lopez Silva, Fernandez Shaw): Porqué de mis ojos <2> | V | | 1930 | | 0000-00-00 | Odeon 185017 | | 195112 | | | | Barcelona | 07.03.1930 | | So 6053 | | | | | | Ms | Odeon | | | |
| 233049 | Supervia, Conchita | | | LA REVOLTOSA (Ruperto Chapí-J. Lopez Silva, Fernandez Shaw): Porqué de mis ojos <2> | V | | 1930 | | 0000-00-00 | Odeon 185017 | | 195112 | | | | Barcelona | 07.03.1930 | | So 6054 | | | | | | Ms | Odeon | | | |
| 233065 | Supervia, Conchita | | | LA ROMERÍA DE LOS CORNUDOS (Gustavo Pittaluga): Romance de Solita | V | | 1932 | | 0000-00-00 | Odeon 184296 | Od_184 | | | | | Barcelona | 23.05.1932 | | So 7708 | | | | | | Ms | Odeon | | | |
| 290 | Supervia, Conchita | | | La Rosa Oriental | V | | 0.27 | | 0000-00-00 | Parlophone RO 20336 | Pa_R20 | | | | | Barcelona | 2..19.0.27 | | So 7882 | | | | Espigul, Ramon | | Ms | Odeon | | | |
| 57358 | Supervia, Conchita | | | La scarpetta e la neve | V | | 1929 | | 0000-00-00 | Odeon 168.226 | Od_168 | 6061 M | | | | Mailand | 09.02.1929 | | Pho 6459 | | | | | | CANZONCINE (Gennai), 5: | Odeon | | | |
| 233345 | Supervia, Conchita | | | LA TEMPRÁNICA (Jerónimo Giménez): Sierras de Granada | V | | 1932 | | 0000-00-00 | Odeon 184326 | Od_184 | | | | | Barcelona | 31.10.1932 | | So 7894 | | | | | | Ms | Odeon | | | |
| 295 | Supervia, Conchita | | | La Zingarella | V | | 0000 | | 0000-00-00 | Parlophone RO 20305 | Pa_R20 | | | | | | | | | | | | Paisiello | | | 78 | | | |
| 1270 | Supervia, Conchita | | | Lagarteranas | V | | 0000 | | 0000-00-00 | Parlophone RO 20158 | Pa_R20 | | | | | | | | | | | | Guerrero/Tena/Reoyo | | | 78 | | | |
| 1275 | Supervia, Conchita | | | Lamento Borincano | V | | 0000 | | 0000-00-00 | Parlophone RO 20336 | Pa_R20 | | | | | | | | | | | | Hernandez | | | 78 | | | |
| 1278 | Supervia, Conchita | | | Lamento borincano-Estilo cubano (R. Hernandez; arr.: A. Brito) | V | | 0.27 | | 0000-00-00 | Parlophone RO 20336 | Pa_R20 | | | | | Barcelona | 2..19.0.27 | | So 7883 | | | | | | Ms | Odeon | | | |
| 235568 | Supervia, Conchita | | | Las aranyas (José Sancho Marraco) | V | | 1927 | | 0000-00-00 | Odeon 185008 | | 184213, 195001 | | | | Barcelona | 15.11.1927 | | So 4697 | | | | | | Ms | Odeon | | | |
| 1294 | Supervia, Conchita | | | Las Currutacas Modestas | V | | 1936 | | 0000-00-00 | Parlophone RO 20324 | Pa_R20 | | | | | | | | | | | | Granados "tonadillas" | | | 78 | | | |
| 235592 | Supervia, Conchita | | | LAS HIJAS DEL ZEBEDEO (Ruperto Chapí): Carceleras (Luisa) 'Al pensar en el dueño' | V | | 1930 | | 0000-00-00 | Odeon 185022 | | 195085, Parlo RO 20165 | | | | Barcelona | 08.03.1930 | | So 6059 | | | | | | Ms | Odeon | | | |
| 235599 | Supervia, Conchita | | | LAS MENINAS (F. Diaz Giles-Lucio, Capella): Canción de la guitarra | V | | 1932 | | 0000-00-00 | Odeon 184313 | Od_184 | | | | | Barcelona | 28.10.1932 | | So 7886 | | | | | | Ms | Odeon | | | |
| 238544 | Supervia, Conchita | | | LE NOZZE DI FIGARO (Wolfgang A. Mozart, KV.492-Lorenzo da Ponte): Voi che sapete che cosa | V | | 1928 | | 0000-00-00 | Odeon 120168 | Od_120 | 121158, 120013, 125020, 6660, Parlo R 20077 | | | | Mailand | 15.10.1928 | | xxPh 6322 | | | | | | Ms | Odeon | | | |
| 238545 | Supervia, Conchita | | | LE NOZZE DI FIGARO (Wolfgang A. Mozart, KV.492-Lorenzo da Ponte): Voi che sapete che cosa | V | | 1928 | | 0000-00-00 | Odeon 120168 | Od_120 | 121158, 120013, 125020, 6660, Parlo R 20077 | | | | Mailand | 15.10.1928 | | xxPh 6323 | | | | | | Ms | Odeon | | | |
| 238756 | Supervia, Conchita | | | Le printemps | V | | 1930 | | 0000-00-00 | Odeon 184226 | Od_184 | PO 180 | | | | Barcelona | 04.03.1930 | | So 6066 | | | | Edvard H. Grieg, op.26,4 | | Ms | Odeon | | | |
| 238980 | Supervia, Conchita | | | Le soir-Mélodie (Charles F. Gounod-Alphonse de Lamartine) | V | | 1931 | | 0000-00-00 | Odeon | | | | | | Paris | 02.12.1931 | | Ki 4931 | | | | | | Ms | Odeon | | | |
| 240606 | Supervia, Conchita | | | Les barraques-Canción Valenciana (A. Méndez) | V | | 1928 | | 0000-00-00 | Odeon 185010 | | 184215, 188700, 195071 | | | | Barcelona | 15.04.1928 | | So 4911 | | | | | | Ms | Odeon | | | |
| 240976 | Supervia, Conchita | | | Les filles de Cadix-Boléro (Léo Delibes-Alfred de Musset) | V | | 1930 | | 0000-00-00 | Odeon 185021 | | 184220, 195111 | | | | Barcelona | 05.03.1930 | | So 6045 | | | | | | Ms | Odeon | | | |
| 240991 | Supervia, Conchita | | | Les fulles seques-Sardana (Enrique Morera-Angel Guimara) | V | | 1932 | | 0000-00-00 | Odeon 184289 | Od_184 | | | | | Barcelona | 03.06.1932 | | So 7733 | | | | | | Ms | Odeon | | | |
| 1330 | Supervia, Conchita | | | Lesson With The Fan | V | | 0000 | | 0000-00-00 | Parlophone RO 20186 | Pa_R20 | | | | | | | | | | | | Weatherly/D´Hardelot | | | 78 | | | |
| 251493 | Supervia, Conchita | | | Llevantina-Sardana | V | | 1932 | | 0000-00-00 | Odeon 184289 | Od_184 | | | | | Barcelona | 03.06.1932 | | So 7734 | | | | Vicente Bou | | Ms | Odeon | | | |
| 251522 | Supervia, Conchita | | | Lo diví estel | V | | 1927 | | 0000-00-00 | Odeon 185005 | | 184210, 188700, 195072 | | | | Barcelona | 15.10.1927 | | So 4600 | | | | M + W: Juan Manén | | Ms | Odeon | | | |
| 251525 | Supervia, Conchita | | | Lo frare | V | | 1927 | | 0000-00-00 | Odeon 185005 | | 184210, 195072 | | | | Barcelona | 15.10.1927 | | So 4599 | | | | M + W: Juan Manén | | Ms | Odeon | | | |
| 252156 | Supervia, Conchita | | | Lola la Manola de Escayola | V | | 1932 | | 0000-00-00 | Odeon 184303 | Od_184 | | | | | Barcelona | 23.05.1932 | | So 7709 | | | | Francisco Cotarelo-Emilio Pison | | Ms | Odeon | | | |
| 276001 | Supervia, Conchita | | | Melodie In F | V | | 1932 | | 0000-00-00 | Odeon 184333 | Od_184 | | | | | Barcelona | 03.06.1932 | | So 7735 | | | | Rubinstein, Anton G. | | Op. 3 Nr. 1 | Odeon | | | Melodie_In_F~Rubi |
| 277064 | Supervia, Conchita | | | Menta i farigola-Canción catalana | V | | 1930 | | 0000-00-00 | Odeon 184199 | Od_184 | | | | | Paris | 15.04.1930 | | Ki 3511 §2 | | | | Eduardo Toldrá-José Carner | | Ms | Odeon | | | |
| 277851 | Supervia, Conchita | | | Meus amores-Balada | V | | 1928 | | 0000-00-00 | Odeon 122007 | Od_122 | 121152 | | | | Barcelona | 15.04.1928 | | xxS 4907 | | | | J. Baldomir | | Ms | Odeon | | | |
| 278164 | Supervia, Conchita | | | Mi viejo amor-Canción mexicana | V | | 1931 | | 0000-00-00 | Odeon 184284 | Od_184 | 195105 | | | | Paris | 30.11.1931 | | Ki 4920 | | | | Otero, Alfonso Esparza | Otero, Alfonso Esparza | Ms | Odeon | | | |
| 279183 | Supervia, Conchita | | | MIGNON (Ambroise Thomas-Jules Barbier, Michel Carré), I- 4: Romance (Mignon) 'Non conosci | V | | 1929 | | 0000-00-00 | Odeon 120192 | Od_120 | 121157, 122012, 125078 A, 6665 N, Parlo R 20105 | | | | Mailand | 09.02.1929 | | xxPh 6463 | | | | | | Ms | Odeon | | | |
| 279184 | Supervia, Conchita | | | MIGNON, I- 4: Romance (Mignon) 'Non conosci | V | | 1929 | | 0000-00-00 | Odeon 125078 | Od_125 | 121157, 122012, 125078 A, 6665 N, Parlo R 20105 | | | | Mailand | 08.02.1929 | | xxPh 6456-2 | | | | Ambroise Thomas-Jules Barbier, Michel Carré | | Ms | Odeon | | | |
| 286152 | Supervia, Conchita | | | Moreno es el bien que adoro (Vicente Romero) | V | | 1932 | | 0000-00-00 | Odeon 184339 | Od_184 | | | | | Barcelona | 28.10.1932 | | So 7884 | | | | | | Ms | Odeon | | | |
| 57360 | Supervia, Conchita | | | mulino e la luna | V | | 1929 | | 0000-00-00 | Odeon 168.227 | Od_168 | 6062 M, 185016 | | | | Mailand | 09.02.1929 | | Pho 6460 | | | | | | CANZONCINE (Gennai), 7: Il | Odeon | | | |
| 1227 | Supervia, Conchita | | | Musetta's Waltz Song-'La Boheme' | V | | 0000 | | 0000-00-00 | Parlophone RO 20180 | Pa_R20 | | | | | | | | | | | | Puccini, Giacomo | | | 78 | | | |
| 311 | Supervia, Conchita | | | Nana-Polo | V | | 0000 | | 0000-00-00 | Parlophone RO 20119 | Pa_R20 | | | | | | | | | | | | De Falla | | | 78 | | | |
| 1687 | Supervia, Conchita | | | No, John, no! (English trad.; arr.: Cedric J. Sharp) | V | | 1932 | | 0000-00-00 | Parlophone RO 20193 | Pa_R20 | | | | | London | 17.03.1932 | | Lo 3004 | | | | | | Ms | Odeon | | | |
| 1707 | Supervia, Conchita | | | Non so piu cosa son, cosa faccio | V | | 30-31 | | 0000-00-00 | Parlophone R 20077 | Pa_R20 | | | | | | | | | | | | Mozart, Wolfgang Amadeus | | Aus „Marriage of Figaro“. | Pa_31 | 0117 | | |
| 357270 | Supervia, Conchita | | | O aprile foriero <2> | V | | 1927 | | 0000-00-00 | Odeon 168.132 | Od_168 | 184206, 185000, 195008, 6040 M | | | | Mailand | 01.10.1927 | | WPho 6051 | | | | Saint-Saëns, Camille | Lemaire, Ferdinand | Aus der Oper „Samson et Dalila“. (1868/1877) | Odeon | | | |
| 357271 | Supervia, Conchita | | | O aprile foriero <2> | V | | 1927 | | 0000-00-00 | Odeon 168.132 | Od_168 | 184206, 185000, 195008, 6040 M | | | | Mailand | 01.10.1927 | | WPho 6052 | | | | Saint-Saëns, Camille | Lemaire, Ferdinand | Aus der Oper „Samson et Dalila“. (1868/1877) | Odeon | | | |
| 1757 | Supervia, Conchita | | | O No John! | V | | 0000 | | 0000-00-00 | Parlophone RO 20193 | Pa_R20 | | | | | | | | | | | | Cecil Sharp | | | 78 | | | |
| 310337 | Supervia, Conchita | | | Occhietti amati | V | | 1930 | | 0000-00-00 | Odeon 184226 | Od_184 | 168418, 6064 M, Parlo RO 20257 | | | | Barcelona | 04.03.1930 | | So 6041 | | | | Falconieri, Andrea | | Ms | Odeon | | | |
| 1791 | Supervia, Conchita | | | Occhietti Amati | V | | 0000 | | 0000-00-00 | Parlophone RO 20257 | Pa_R20 | | | | | | | | | | | | Falconieri | | | 78 | | | |
| 325776 | Supervia, Conchita | | | Pajarico triguero (Francisco Alonso) | V | | 1930 | | 0000-00-00 | Odeon 185018 | | 184218, 195079 | | | | Barcelona | 08.03.1930 | | So 6058 | | | | | | Ms | Odeon | | | |
| 326303 | Supervia, Conchita | | | Pandereta andaluza (Esteban Fusté-Justino Ochoa) | V | | 1932 | | 0000-00-00 | Odeon 184315 | Od_184 | | | | | Barcelona | 04.11.1932 | | So 7903 | | | | | | Ms | Odeon | | | |
| 329069 | Supervia, Conchita | | | PEER GYNT (Edvard H. Grieg, op.23-Henrik Ibsen), 19: Solvejgs sang [in Italian] | V | | 1930 | | 0000-00-00 | Odeon 172204 | | 121160, 6678 | | | | Barcelona | 04.03.1930 | | xxS 6044 | | | | | | Ms | Odeon | | | |
| 329329 | Supervia, Conchita | | | Pel teu amor ('Rosó') (José Ribas-Poal Aragall) | V | | 1930 | | 0000-00-00 | Odeon 184262 | Od_184 | 168547, 6067 M, PO 180 | | | | Barcelona | 11.03.1930 | | So 6069 | | | | | | Ms | Odeon | | | |
| 229831 | Supervia, Conchita | | | Per Lui Che Adoro | V | | 1927 | | 0000-00-00 | Odeon 120200 | Od_120 | 6666 N, Parlo R 20273 | | | | Barcelona | 15.10.1927 | | So 4617 | | | | Puccini, Giacomo | Anelli, Angelo | L' Italiana In Algeri (Gioacchino Rossini-Angelo Anelli) | Odeon | | | |
| 333771 | Supervia, Conchita | | | Plegaria a la Virgen (Fermín M. Alvárez) | V | | 1930 | | 0000-00-00 | Odeon 195085 | | | | | | Barcelona | 06.03.1930 | | So 6051 | | | | | | Ms | Odeon | | | |
| 57355 | Supervia, Conchita | | | Preghiera della sera | V | | 1929 | | 0000-00-00 | Odeon 168.225 | Od_168 | 185015, 6060 M | | | | Mailand | 07.02.1929 | | Pho 6454 | | | | | | CANZONCINE (Gennai), 3: | Odeon | | | |
| 1957 | Supervia, Conchita | | | Printemps qui Commence | V | | 1931 | | 0000-00-00 | Parlophone R 20192 | Pa_R20 | | | | | | 24.10.1931 | | xxP 7312 | | | | Saint-Saëns, Camille | | Samson And Delilah | 78 | | | |
| 58400 | Supervia, Conchita | | | Quintette (Carmen, Frasquita, | V | | 1927 | | 0000-00-00 | Odeon 168.110 | Od_168 | 184208, 185002, 188691, 195010, M 6037 | | | | Mailand | 15.10.1927 | | WPho 6059-2 | | | | Bizet, Georges | Halévy, Ludovic | Aus „Carmen“. | Odeon | | | |
| 345586 | Supervia, Conchita | | | Rey y señor (J. Zamacois-P. Piche) | V | | 1931 | | 0000-00-00 | Odeon 121163 | Od_121 | | | | | Paris | 26.10.1931 | | xxP 7315 | | | | | | Ms | Odeon | | | |
| 350830 | Supervia, Conchita | | | Romanç de Santa Llucia (Eduardo Toldrá) | V | | 1927 | | 0000-00-00 | Odeon 185008 | | 184213, 188746, 195013 | | | | Barcelona | 15.11.1927 | | So 4698 | | | | | | Ms | Odeon | | | |
| 350831 | Supervia, Conchita | | | Romanç sense paraules | V | | 1930 | | 0000-00-00 | Odeon 184199 | Od_184 | | | | | Paris | 15.04.1930 | | Ki 3511 §1 | | | | Toldrá, Eduardo | | Ms | Odeon | | | |
| 351511 | Supervia, Conchita | | | Rosa-Canción (Ramon Pahissa) | V | | 1928 | | 0000-00-00 | Odeon 185012 | | 184217 | | | | Barcelona | 15.05.1928 | | So 5056 | | | | | | Ms | Odeon | | | |
| 354049 | Supervia, Conchita | | | Rubores-Paso doble (Marquina) | V | | 1932 | | 0000-00-00 | Odeon 184289 | Od_184 | | | | | Barcelona | 03.06.1932 | | So 7722 | | | | | | Ms | Odeon | | | |
| 357235 | Supervia, Conchita | | | SAMSON ET DALILA (Camille Saint-Saëns-F. Lemaire), II: Mon cœur s'ouvre à ta voix | V | | 1931 | | 0000-00-00 | Odeon | | | | | | Paris | 24.10.1931 | | Ki 4899 | | | | | | Ms | Odeon | | | |
| 2093 | Supervia, Conchita | | | Santa Lucia | V | | 1931 | | 0000-00-00 | Odeon 184284 | Od_184 | Parlophone RO 20212 | Pa_R20 | | | Paris | 30.11.1931 | | Ki 4919 | | | | Cottrau, Teodoro | | Ms | Odeon | | | |
| 358124 | Supervia, Conchita | | | Santa-Bolero (Agustín Lara) | V | | 0.27 | | 0000-00-00 | Odeon | | | | | | Barcelona | 2..19.0.27 | | So 7881 | | | | | | Ms | Odeon | | | |
| 2123 | Supervia, Conchita | | | Se Tu M'ami | V | | 0000 | | 0000-00-00 | Parlophone RO 20257 | Pa_R20 | | | | | | | | | | | | Pergolesi | | | 78 | | | |
| 362199 | Supervia, Conchita | | | Se tu m'ami | V | | 1930 | | 0000-00-00 | Odeon 184200 | Od_184 | 168401, 6063 M, Parlo RO 20257 | | | | Barcelona | 04.03.1930 | | So 6043 | | | | Parisotti, Alessandro | Parisotti, Alessandro | Ms | Odeon | | | |
| 2129 | Supervia, Conchita | | | Seguedille-'Carmen' | V | | 0000 | | 0000-00-00 | Parlophone R 20127 | Pa_R20 | | | | | | | | | | | | Bizet, Georges | | | 78 | | | |
| 2132 | Supervia, Conchita | | | Seguidilla Murciana | V | | 0000 | | 0000-00-00 | Parlophone RO 20117 | Pa_R20 | | | | | | | | | | | | de Falla | | | 78 | | | |
| 2153 | Supervia, Conchita | | | Sentir gitano | V | | 1932 | | 0000-00-00 | Odeon 184339 | Od_184 | Parlophone RO 20344 | Pa_R20 | | | Barcelona | 28.10.1932 | | So 7885 | | | | Tomás de Aquino | | Aus „Tonadillas“. | Odeon | | | |
| 2152 | Supervia, Conchita | | | Sentir Gitano-Cancion Andaluza | V | | 0000 | | 0000-00-00 | Parlophone RO 20344 | Pa_R20 | | | | | | | | | | | | De Aquino | | | 78 | | | |
| 364454 | Supervia, Conchita | | | Sérénade (Charles F. Gounod-Victor Hugo) | V | | 1931 | | 0000-00-00 | Odeon | | | | | | Paris | 02.12.1931 | | Ki 4930 | | | | | | Ms | Odeon | | | |
| 364988 | Supervia, Conchita | | | Serranilla (Joaquín Rodrigo-Marques de Santillana) | V | | 1931 | | 0000-00-00 | Odeon 184246 | Od_184 | | | | | Barcelona | 24.02.1931 | | So 6934 | | | | | | Ms | Odeon | | | |
| 2184 | Supervia, Conchita | | | Should He Upbraid | V | | 0000 | | 0000-00-00 | Parlophone RO 20186 | Pa_R20 | | | | | | | | | | | | Shakespeare/Sir Henry Bishop | | | 78 | | | |
| 2187 | Supervia, Conchita | | | Should he upbraid? (Henry R. Bishop-William Shakespeare) | V | | 1932 | | 0000-00-00 | Parlophone RO 20186 | Pa_R20 | | | | | London | 17.03.1932 | | Lo 3003 | | | | | | Ms | Odeon | | | |
| 372384 | Supervia, Conchita | | | SIETE CANCIÓNES POPULARES ESPAÑOLAS (Manuel de Falla), 1: El paño moruno | V | | 1930 | | 0000-00-00 | Odeon 184182 | Od_184 | 188906, 195084, PO 153, Parlo RO 20117 | | | | Barcelona | 10.03.1930 | | So 6060 | | | | | | Ms | Odeon | | | |
| 372385 | Supervia, Conchita | | | SIETE CANCIÓNES POPULARES ESPAÑOLAS (Manuel de Falla), 1: El paño moruno | V | | 1928 | | 0000-00-00 | Odeon 185013 | | | | | | Barcelona | 15.05.1928 | | So 5057 | | | | | | Ms | Odeon | | | |
| 372386 | Supervia, Conchita | | | SIETE CANCIÓNES POPULARES ESPAÑOLAS (Manuel de Falla), 2: Seguidilla murciana | V | | 1930 | | 0000-00-00 | Odeon 184182 | Od_184 | 168419, 188906, 6065 M, PO 153, Parlo RO 20117 | | | | Barcelona | 10.03.1930 | | So 6061 | | | | | | Ms | Odeon | | | |
| 372387 | Supervia, Conchita | | | SIETE CANCIÓNES POPULARES ESPAÑOLAS (Manuel de Falla), 2: Seguidilla murciana | V | | 1928 | | 0000-00-00 | Odeon 185013 | | | | | | Barcelona | 15.05.1928 | | So 5058 | | | | | | Ms | Odeon | | | |
| 372388 | Supervia, Conchita | | | SIETE CANCIÓNES POPULARES ESPAÑOLAS (Manuel de Falla), 3: Asturiana | V | | 1930 | | 0000-00-00 | Odeon 184183 | Od_184 | 188907, PO 154, Parlo RO 20118 | | | | Barcelona | 10.03.1930 | | So 6062-1 | | | | | | Ms | Odeon | | | |
| 372389 | Supervia, Conchita | | | SIETE CANCIÓNES POPULARES ESPAÑOLAS (Manuel de Falla), 4: Jota | V | | 1930 | | 0000-00-00 | Odeon 184183 | Od_184 | 168419, 6065 M, PO 154, Parlo RO 20118 | | | | Barcelona | 10.03.1930 | | So 6063 | | | | | | Ms | Odeon | | | |
| 372390 | Supervia, Conchita | | | SIETE CANCIÓNES POPULARES ESPAÑOLAS (Manuel de Falla), 5: Nana | V | | 1930 | | 0000-00-00 | Odeon 184184 | Od_184 | 168513, 188908, 6066 M, PO 155, Parlo RO 20119 | | | | Barcelona | 10.03.1930 | | So 6064 §1 | | | | | | Ms | Odeon | | | |
| 372391 | Supervia, Conchita | | | SIETE CANCIÓNES POPULARES ESPAÑOLAS (Manuel de Falla), 6: Canción | V | | 1930 | | 0000-00-00 | Odeon 184184 | Od_184 | 168513, 188908, 6066 M, PO 155, Parlo RO 20119 | | | | Barcelona | 10.03.1930 | | So 6064 §2 | | | | | | Ms | Odeon | | | |
| 372392 | Supervia, Conchita | | | SIETE CANCIÓNES POPULARES ESPAÑOLAS (Manuel de Falla), 6: Canción | V | | 1928 | | 0000-00-00 | Odeon 185012 | | 184217 | | | | Barcelona | 15.05.1928 | | So 5060 | | | | | | Ms | Odeon | | | |
| 372393 | Supervia, Conchita | | | SIETE CANCIÓNES POPULARES ESPAÑOLAS (Manuel de Falla), 7: Polo | V | | 1930 | | 0000-00-00 | Odeon 184184 | Od_184 | 168513, 6066 M, PO 155, Parlo RO 20119 | | | | Barcelona | 10.03.1930 | | So 6065 | | | | | | Ms | Odeon | | | |
| 2231 | Supervia, Conchita | | | So sweet is shee ('Have you seen but a whyte lillie grow') (Ferrabosco-Ben Jonson) | V | | 1932 | | 0000-00-00 | Parlophone RO 20193 | Pa_R20 | | | | | London | 17.03.1932 | | Lo 3005 | | | | | | Ms | Odeon | | | |
| 2228 | Supervia, Conchita | | | So Sweet Is Shee (Have You Seen But A White Lillie Grow ?) | V | | 0000 | | 0000-00-00 | Parlophone RO 20193 | Pa_R20 | | | | | | | | | | | | Arnold Dolmetsch | | | 78 | | | |
| 380765 | Supervia, Conchita | | | Soleá (Modesto Romero-Fidel Prado) | V | | 1932 | | 0000-00-00 | Odeon 184315 | Od_184 | | | | | Barcelona | 21.05.1932 | | So 7699 | | | | | | Ms | Odeon | | | |
| 2383 | Supervia, Conchita | | | Spring Song | V | | 0000 | | 0000-00-00 | Parlophone RO 20212 | Pa_R20 | | | | | | | | | | | | Mendelssohn | | | 78 | | | |
| 398217 | Supervia, Conchita | | | Suspiros de España-Paso doble (A. Alvarez Alonso) | V | | 1932 | | 0000-00-00 | Odeon 184289 | Od_184 | | | | | Barcelona | 03.06.1932 | | So 7723 | | | | | | Ms | Odeon | | | |
| 429696 | Supervia, Conchita | | | TRÍPTICO (Joaquín Turina): Farruca | V | | 1928 | | 0000-00-00 | Odeon 185009 | | 184214, Parlo RO 20154 | | | | Barcelona | 15.04.1928 | | So 4908 | | | | | | Ms | Odeon | | | |
| 2523 | Supervia, Conchita | | | Un Barberillo Alegre | V | | 0000 | | 0000-00-00 | Parlophone RO 20344 | Pa_R20 | | | | | | | | | | | | J.l. Mediavilla/Fidel Prado | | | 78 | | | |
| 2526 | Supervia, Conchita | | | Un barberillo alegre-Canción | V | | 1932 | | 0000-00-00 | Odeon 184313 | Od_184 | Parlophone RO 20344 | Pa_R20 | | | Barcelona | 28.10.1932 | | So 7887 | | | | J. L. Media Villa-F. Prado | | Ms | Odeon | | | |
| 2540 | Supervia, Conchita | | | Una voce poco fa (Part 1) | V | A | 30-31 | | 0000-00-00 | Parlophone R 20074 | Pa_R20 | | | | | | | | | | | | Rossini, Gioacchino | | Aus „Barber Of Seville“. | Pa_31 | 0117 | | |
| 2543 | Supervia, Conchita | | | Una voce poco fa (Part 1) | V | B | 30-31 | | 0000-00-00 | Parlophone R 20074 | Pa_R20 | | | | | | | | | | | | Rossini, Gioacchino | | Aus „Barber Of Seville“. | Pa_31 | 0117 | | |
| 440064 | Supervia, Conchita | | | Vidalità-Canción argentina (López Bucardo-Leopoldo Lugones) | V | | 1930 | | 0000-00-00 | Odeon 184223 | Od_184 | 195092 | | | | Barcelona | 15.10.1930 | | So 6611 | | | | | | Ms | Odeon | | | |
| 2278 | Supervia, Conchita | | | Voi che sapete | V | | 30-31 | | 0000-00-00 | Parlophone R 20077 | Pa_R20 | | | | | | | | | | | | Mozart, Wolfgang Amadeus | | Aus „Marriage of Figaro“. | Pa_31 | 0117 | | |
| 441583 | Supervia, Conchita | | | Vora, voreta la mar | V | | 1930 | | 0000-00-00 | Odeon 184186 | Od_184 | | | | | Paris | 15.04.1930 | | Ki 3510 | | | | J. Borras de Palau | | Ms | Odeon | | | |
| 451609 | Supervia, Conchita | | | WERTHER (Jules Massenet-Edouard Blau, Paul Milliet, Georges Hartmann): Va! laisse couler m | V | | 1931 | | 0000-00-00 | Odeon | | | | | | Paris | 24.10.1931 | | Ki 4896 | | | | | | Ms | Odeon | | | |
| 451610 | Supervia, Conchita | | | WERTHER (Jules Massenet-Edouard Blau, Paul Milliet, Georges Hartmann): Va! laisse couler m | V | | 1931 | | 0000-00-00 | Odeon | | | | | | Paris | 02.12.1931 | | Ki 4896-2 | | | | | | Ms | Odeon | | | |
| 475639 | Supervia, Conchita | | | Ya Estás Frente A La Casa | V | | 1930 | | 0000-00-00 | Odeon 185022 | | | | | | Barcelona | 07.03.1930 | | So 6055 | | | | Bretón, Tomás | Vega, Ricardo De La | La Verbena De La Paloma | Odeon | | | |
| 2034 | Supervia, Conchita | | | ¿ Porqué me béso? (Pascual Godes-O. Alcazar) | V | | 1931 | | 0000-00-00 | Odeon 184276 | Od_184 | | | | | Paris | 30.11.1931 | | Ki 4921 | | | | | | Ms | Odeon | | | |
| 354 | Supervia, Conchita & Bettoni, V. | | | Swallow Duet, The | | | 30-31 | | 0000-00-00 | Parlophone R 20105 | Pa_R20 | | | | | | | | | | | | Thomas, Ambroise | | Aus „Mignon“ Akt 1. | Pa_31 | 0117 | | |
| 591 | Supervia, Conchita & Ferraris, Ines | | | Dance Duet, Act 1 (Part 1) | | A | 30-31 | | 0000-00-00 | Parlophone R 20111 | Pa_R20 | | | | | | | | | | | | Humperdinck | | Aus „Hänsel And Gretel“. Italienisch gesungen. | Pa_31 | 0117 | | |
| 594 | Supervia, Conchita & Ferraris, Ines | | | Dance Duet, Act 1 (Part 2) | | B | 30-31 | | 0000-00-00 | Parlophone R 20111 | Pa_R20 | | | | | | | | | | | | Humperdinck | | Aus „Hänsel And Gretel“. Italienisch gesungen. | Pa_31 | 0117 | | |
| 906 | Supervia, Conchita & Ferraris, Ines | | | Finale, Act 3 (Part 1) | | A | 30-31 | | 0000-00-00 | Parlophone R 20079 | Pa_R20 | | | | | | | | | | | | Strauß, Richard | | Aus „Rosenkavalier“. | Pa_31 | 0117 | | |
| 909 | Supervia, Conchita & Ferraris, Ines | | | Finale, Act 3 (Part 2) | | B | 30-31 | | 0000-00-00 | Parlophone R 20079 | Pa_R20 | | | | | | | | | | | | Strauß, Richard | | Aus „Rosenkavalier“. | Pa_31 | 0117 | | |
| 1622 | Supervia, Conchita & Ferraris, Ines | | | Presentation Of The Rose (Part 1) | | A | 30-31 | | 0000-00-00 | Parlophone R 20078 | Pa_R20 | | | | | | | | | | | | Strauß, Richard | | Aus „Rosenkavalier“. | Pa_31 | 0117 | | |
| 1626 | Supervia, Conchita & Ferraris, Ines | | | Presentation Of The Rose (Part 2) | | B | 30-31 | | 0000-00-00 | Parlophone R 20078 | Pa_R20 | | | | | | | | | | | | Strauß, Richard | | Aus „Rosenkavalier“. | Pa_31 | 0117 | | |